February 06, 2001
Censorship and Context, part 1

As many of you know, I used to host a radio comedy show called A Night at the Asylum at WVBR-FM in Ithaca, NY. The show was largely inspired by Dr. Demento, only we focused more on comedy and less on novelty records.

Recently, one of my fellow former producers of said comedy show discovered that someone she knew was wanted by the police for child molestation. The culprit was caught, and as the facts about his predatory practices were revealed, it became clear that this very sick individual had messed up a great many people's lives... including friends who were very near and dear to her.

As we discussed this traumatic chain of events, my fellow former comedy show producers and I came around to the question of a routine we used to play on the show: Kinko the Clown, by Ogden Edsl. None of us could remember ever really liking this particular song, and we all wondered why we'd every played it. It didn't have any particularly funny lines, and it's rather insenstive to a nasty subject.

But... I've been thinking about this more and more lately. I think that, in fact, we *did* find it funny at the time; we've simply forgotten why. Our context has changed.

The reason I believe this to be the case is because I happened to see Dr. Demento in a live performance this weekend. Focusing on "things [he] can't play on the radio", the syndicated radio show host played songs and videos of a number of bits that don't (currently) pass FCC muster. Some of these items would never, ever make it, but were very funny (including an extremely rude Mick Jagger tune that he recorded with the *intent* of being so bad that the record company would never release it, simply to fulfill a contract that he wanted out of). Others used to be playable on the radio, but have since elicited fines from the FCC. This collection surprised me, in particular, because it included a number of routines we used to play all the time: Monty Python's "Sit on my Face", for example.

Then, the good doctor showed us a music video and prefaced it by saying, "This song used to be one of the most requested on the Dr. Demento show, but I haven't played it in a couple of years, given the aftermath of the shootings at Columbine High School in Colorodo." The video was for Julie Brown's, "The Homecoming Queen's Got a Gun."

Wow. I was stunned. This song was frequently featured on our show. And, as the video unfolded, it was so patently clear why playing it now would be so beyond the bounds of acceptable taste. Given the events that transpired in Littleton, there was no way to interpret this song as anything other than a sick and depraved acting-out.

But, the thing is... this was recorded *years* before Littleton, and it was mocking high school homecoming pagentry; it was not advocating violence. The song and video were so clearly cartoonish; the humor so obviously a coy swipe at high school's culture of popularity. Yet, in the context of a post-Littleton world, it is both mean and savage; an indictment of a culture of violence.

Watching this video on Saturday, I completely agreed with Dr. D: even if the FCC had no reason to fine you for playing it, this was one routine worth dropping from the playlist. And, yet...

And yet the fact is that, in its day, this piece was actually quite funny. It still is, in it's own juvey way, if you can overlook Littleton.

But Littleton did happen.

And there really are maniacs who go around molesting little children.

And context is everything.

Posted by on February 06, 2001 03:19 AM in the following Department(s): Essays , Humor , Tidbits III


Copyright (c)1998 - 2010 by Allan Rousselle. All rights reserved, all wrongs reversed, all reservations righted, all right, already.
Click here to send me mail.

The author. January, 2010.
S e a r c h   T h i s   S i t e



D e p a r t m e n t s


R e c e n t   E n t r i e s


R e c e n t   C o m m e n t s

F r i e n d s


A r c h i v e s


O t h e r   L i n k s